Portraiture gives me the opportunity to make connections. This experiential
aspect is as important to me as the final tangible work. I like the fact that the
process is somewhat out of my control. It is ultimately that which my subject
chooses to give me that I have to work with. My subject gives his or her consent
numerous times: first, by meeting with me to be photographed; next, allowing me
the freedom make one or two final selections from a multitude of images; and
finally, giving me permission to promote the painting(s).
My work doesn’t focus on flattery, it’s more about essence. Unlike my photo
sessions, which are collaborative and improvised, this part of the process is
very controlled. I have found that simplification reduces distractions, and can
make a portrait more powerful. I distill and manipulate various parts of my
images until they make sense. The intensity of a person can be enhanced with
the right colors. I love what I see in the people I paint, and I strive to convey this.